Final Delivery

 For the final delivery, I connected Zinta's facial blend shapes to a set of controllers to control the expressions, the eyelids, eyebrows, jaw, and smirk. I also added lamp controls that blends between an inhale and exhale blend shapes and added a control to allow the shaking of the lamp and the lid. Continued refinement of Zinta's animation while incorporating facial and lamp animations. Below is the result of two months of collaboration with Charles Price and Monica De Puy.

Sprint #5 Delivery

 For Sprint #5, I polished Zinta's animation along with the timing of the camera to make the overall animation more cohesive based on feedback. The camera pulled back fast and added a pushup for when the legs pop out on the climax. The ending pose is more refined and had Zinta take a step forward as she's swinging her sword. All these changes were pushed to engine where the next sprint will have blend shapes for facial expressions and to relax some of her poses. Below is the updated animation.

Sprint #4 Delivery

 For Sprint #4, I worked on polishing Zinta's animation, adding more key poses and in-betweens to construct a clear picture of the final iteration. I added a twirl to the beginning of the animation, overlap in the arms, and will be adding facial expressions and a more polished overall animation in the next sprint. I pushed the animation from Maya to engine and scaling works one to one. Listed below are the comparisons.